PX-6
Professional Monitoring System
Equipped with a 16.5cm woofer and 2.5cm soft dome tweeter. Digital FIR filtering provides accurate phase response comparable to that of full-range speakers. These powered monitor speakers provide a superior monitoring environment unmatched in their class.
Active in NEKO PUNCH.
MACC has installed it in their private studio.
[MACC Voice]
The airiness and texture of the sound source can be clearly perceived, and the performance of these speakers is worthy of special mention as monitor speakers. In particular, the sound rise is better than the previous model, the sound quality is clearer, and the bass is tighter, making my work as a musician more enjoyable.
[NEKO PUNCH Profile]
NEKO PUNCH was formed in London, England in the spring of 2012 by singer/songwriter Leanne and producer MACC. Later, a friend of Leanne’s, Pink, a self-proclaimed dancer from Fukushima, Japan, joined the group. Pinky, a self-proclaimed dancer from Fukushima, joined the group.
In January 2013, they won the Grand Prix at “Revolution Rock Vol 3” hosted by EMI and performed at “EMI ROCKS SENDAI”. 6/28, they released their debut 1st Maxi Single “Go Baby ! Released 1st Maxi Single “Go Baby !” at iTUNES on 6/28, reached No.5 on ITUNES Alternative Chart, performed at “VIA BUS STOP “Ibryd” Launch Party” in April, “SUNSET LIVE” in September, “Nihonbashi Art Aquarium” in October, and “HARAJUKU KAWAii! As a bridge between the UK and Japanese music scenes, he expresses his own worldview including fashion and lifestyle. He also provides songs and produces music for other artists.
[MACC Profile]
(Producer, Composer/Arranger, Bass) Born in Kyoto, he was influenced by his parents and became familiar with music at an early age. After graduating from high school, he studied at a music college in England. In 2007, he joined Paul Steel’s band. In 2007, he joined Paul Steel’s band and performed at FUJI ROCK FESTIVAL 2007. He also supported Amy Winehouse, Conelius, and others in London. After that, he formed a band with members of OASIS, The Prodigy, THE KOOKS, and others, and has been performing mainly in London. In 2009, he played bass for Skoop on somebody, Rihwa, Leo Imai, Shogo (175R), and others in Japan. He is also active as an arranger and producer.
Currently, he is a regular DJ at Yasutaka Nakata’s “WARP!!!” event held at Shibuya Vision on the first Monday of every month. at Vision in Shibuya on the first Monday of every month.
[MACC Voice]
The airiness and texture of the sound source can be clearly perceived, and the performance of these speakers is worthy of special mention as monitor speakers. In particular, the sound rise is better than the previous model, the sound quality is clearer, and the bass is tighter, making my work as a musician more enjoyable.
[NEKO PUNCH Profile]
NEKO PUNCH was formed in London, England in the spring of 2012 by singer/songwriter Leanne and producer MACC. Later, a friend of Leanne’s, Pink, a self-proclaimed dancer from Fukushima, Japan, joined the group. Pinky, a self-proclaimed dancer from Fukushima, joined the group.
In January 2013, they won the Grand Prix at “Revolution Rock Vol 3” hosted by EMI and performed at “EMI ROCKS SENDAI”. 6/28, they released their debut 1st Maxi Single “Go Baby ! Released 1st Maxi Single “Go Baby !” at iTUNES on 6/28, reached No.5 on ITUNES Alternative Chart, performed at “VIA BUS STOP “Ibryd” Launch Party” in April, “SUNSET LIVE” in September, “Nihonbashi Art Aquarium” in October, and “HARAJUKU KAWAii! As a bridge between the UK and Japanese music scenes, he expresses his own worldview including fashion and lifestyle. He also provides songs and produces music for other artists.
[MACC Profile]
(Producer, Composer/Arranger, Bass) Born in Kyoto, he was influenced by his parents and became familiar with music at an early age. After graduating from high school, he studied at a music college in England. In 2007, he joined Paul Steel’s band. In 2007, he joined Paul Steel’s band and performed at FUJI ROCK FESTIVAL 2007. He also supported Amy Winehouse, Conelius, and others in London. After that, he formed a band with members of OASIS, The Prodigy, THE KOOKS, and others, and has been performing mainly in London. In 2009, he played bass for Skoop on somebody, Rihwa, Leo Imai, Shogo (175R), and others in Japan. He is also active as an arranger and producer.
Currently, he is a regular DJ at Yasutaka Nakata’s “WARP!!!” event held at Shibuya Vision on the first Monday of every month. at Vision in Shibuya on the first Monday of every month.
Chief Director of Mouriart Works Studio
Mr. Shigeki Ao, Chief Director of Mouriart Works Studio, introduced the system.
Features
Tweeter unit
The 2.5cm soft dome tweeter uses a UFLC diaphragm that solves problems such as peaks and dips and low sound pressure due to excessive weight, and achieves lightweight and extremely stable performance.
woofer unit
The 16.5cm woofer unit has unprecedented strength by blending natural fibers with aramid fibers in the diaphragm and soaking it in crimson resin to eliminate unwanted resonance and reproduce stable mid-bass sound.
Butyl rubber, which has an established reputation for linearity, is used for the edge, and together with the aramid fiber damper, it moderately absorbs split resonance, enabling a straightforward and stable response from low to high input.
The magnetic circuit is equipped with a powerful magnet that, together with the long voice coil, reproduces rich and responsive bass.
Amplifier and filter section and input section
Driven by a high quality digital amplifier with 50W (LF) and 28W (HF) output.
A digital FIR filter is used for the dividing network, and strict time alignment minimizes phase interference to achieve localization comparable to that of full-range speakers even though they are 2-way speakers.
A subsonic filter linked to the roll-off frequency of the BASS adjustment cuts unwanted ultra-low frequency noise outside the playback bandwidth.
When used in combination with a subwoofer, the high-pass filter function allows phase adjustment (0 to 180 degrees / 20 steps) for flat and natural connection around the crossover frequency. Optimal phase adjustment with a subwoofer is possible.
A rotary encoder that does not change over time and is not affected by sliding noise is used for volume/trim adjustment.
The adjustment range is ±3 dB in 0.3 dB sound pressure increments for the tweeter level, and 20 steps of low-frequency roll-off frequency adjustment on the woofer side.
In addition, the settings are indicated by LEDs for ease of use and further accuracy.
A standby function that automatically reduces power consumption after approximately 4 hours of no input signal to the unit.
A fade-in function that gradually increases the volume to a set volume level upon power-on to prevent problems caused by unintentional input.
Both balanced and unbalanced inputs are supported. Connectors include standard phone and RCA pins for unbalanced and XLR-3-31 for balanced.
The standard phone and XLR-3-31 jacks are integrated as a combo jack.
The standard phone and RCA pin jacks cannot be used together; the RCA pin input has priority.
*Please note that input signals will be mixed when connected to both RCA pin and XLR-3-31 jacks.
The 2.5cm soft dome tweeter uses a UFLC diaphragm that solves problems such as peaks and dips and low sound pressure due to excessive weight, and achieves lightweight and extremely stable performance.
The 16.5cm woofer unit has unprecedented strength by blending natural fibers with aramid fibers in the diaphragm and soaking it in crimson resin to eliminate unwanted resonance and reproduce stable mid-bass sound.
Butyl rubber, which has an established reputation for linearity, is used for the edge, and together with the aramid fiber damper, it moderately absorbs split resonance, enabling a straightforward and stable response from low to high input.
The magnetic circuit is equipped with a powerful magnet that, together with the long voice coil, reproduces rich and responsive bass.
Amplifier and filter section and input section
Driven by a high quality digital amplifier with 50W (LF) and 28W (HF) output.
A digital FIR filter is used for the dividing network, and strict time alignment minimizes phase interference to achieve localization comparable to that of full-range speakers even though they are 2-way speakers.
A subsonic filter linked to the roll-off frequency of the BASS adjustment cuts unwanted ultra-low frequency noise outside the playback bandwidth.
When used in combination with a subwoofer, the high-pass filter function allows phase adjustment (0 to 180 degrees / 20 steps) for flat and natural connection around the crossover frequency. Optimal phase adjustment with a subwoofer is possible.
A rotary encoder that does not change over time and is not affected by sliding noise is used for volume/trim adjustment.
The adjustment range is ±3 dB in 0.3 dB sound pressure increments for the tweeter level, and 20 steps of low-frequency roll-off frequency adjustment on the woofer side.
In addition, the settings are indicated by LEDs for ease of use and further accuracy.
A standby function that automatically reduces power consumption after approximately 4 hours of no input signal to the unit.
A fade-in function that gradually increases the volume to a set volume level upon power-on to prevent problems caused by unintentional input.
Both balanced and unbalanced inputs are supported. Connectors include standard phone and RCA pins for unbalanced and XLR-3-31 for balanced.
The standard phone and XLR-3-31 jacks are integrated as a combo jack.
The standard phone and RCA pin jacks cannot be used together; the RCA pin input has priority.
*Please note that input signals will be mixed when connected to both RCA pin and XLR-3-31 jacks.
Driven by a high quality digital amplifier with 50W (LF) and 28W (HF) output.
A digital FIR filter is used for the dividing network, and strict time alignment minimizes phase interference to achieve localization comparable to that of full-range speakers even though they are 2-way speakers.
A subsonic filter linked to the roll-off frequency of the BASS adjustment cuts unwanted ultra-low frequency noise outside the playback bandwidth.
When used in combination with a subwoofer, the high-pass filter function allows phase adjustment (0 to 180 degrees / 20 steps) for flat and natural connection around the crossover frequency. Optimal phase adjustment with a subwoofer is possible.
A rotary encoder that does not change over time and is not affected by sliding noise is used for volume/trim adjustment.
The adjustment range is ±3 dB in 0.3 dB sound pressure increments for the tweeter level, and 20 steps of low-frequency roll-off frequency adjustment on the woofer side.
In addition, the settings are indicated by LEDs for ease of use and further accuracy.
A standby function that automatically reduces power consumption after approximately 4 hours of no input signal to the unit.
A fade-in function that gradually increases the volume to a set volume level upon power-on to prevent problems caused by unintentional input.
Both balanced and unbalanced inputs are supported. Connectors include standard phone and RCA pins for unbalanced and XLR-3-31 for balanced.
The standard phone and XLR-3-31 jacks are integrated as a combo jack.
The standard phone and RCA pin jacks cannot be used together; the RCA pin input has priority.
*Please note that input signals will be mixed when connected to both RCA pin and XLR-3-31 jacks.
Specifications
Main Specifications
| Speaker section | |
|---|---|
| Enclosure method | 2-way bass reflex system |
| Built-in Unit | 16.5cm aramid fiber blend woofer / 2.5cm soft dome tweeter |
| Playback frequency band | 48Hz to 20kHz |
| Amplifier section | |
| output (e.g. of dynamo) | Low frequency: 50W / High frequency: 28W |
| input | Unbalanced: standard phone and RCA pins, maximum input level: +10dBV Balanced: XLR-3-31, maximum input level: +24dBu Standard phone and XLR-3-31 jacks are integrated as a combo jack for dual use. |
| S/N ratio | 96dB |
| Distortion (THD) | 0.02% (0.02%) |
| crossover frequency | 2kHz |
| subsonic filter | 48Hz |
| general | |
| External dimensions | 208(W)×335(H)×253.3(D) mm |
| Mass of main unit | Approx. 7kg |
| power (button on TV, etc.) | AC100V |
| Power consumption | 65W (0.5W or less in standby mode) |
| accessory | Power cable (2m) |
frequency response
*This product complies with the European RoHS Directive.